Wall sculptures
made by hand
Shaped layer by layer, with minerals and pigment. Made by hand, no two alike.
I’m not after perfect symmetry. I want each piece to feel alive: shaped slowly, with the material left visible, so no two are ever the same.Kseniia, artist and founder of DN.KA studio
Every piece starts with a base and a form, and goes through many layers, corrections, sanding and polishing until it is ready.
My palette is six natural tones that sit with an interior instead of competing with it. Every piece is coloured with dry pigment, which settles into the texture unevenly as it dries: deeper in some places, lighter in others, as in nature. No flat colours, only tones with depth. From the lightest to terracotta and charcoal, for every interior and every taste.
Meet the studioCollection
Rounds, sculptures and panels. Every piece in several sizes and six natural tones.
Visit the whole shop
Six natural tones
Pigment is worked in by hand, layer over layer, then polished back. Light finds the ridges and leaves the hollows soft, so a piece looks different at nine in the morning than it does at dusk.
How they live in a home
Entrance, hallway, bedroom. The pieces hang on quiet walls and change with the light of the day.
“Beautiful in its simplicity. It feels like an intentional, architectural element rather than something mass-produced.”Custom panel, April 2026
“Beautifully crafted pieces that add warmth, character, and a lovely modern and minimalist aesthetic to my walls.”Lisa, diptych, September 2026
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Working on a project?
I work with interior designers in Spain and Europe: custom sizes, finishes matched to your palette and pieces made for one specific wall.
Send me the room, the wall measurements and a mood board. I’ll reply with ideas, a texture sample if you need one and trade pricing.
Notes from the studio
Why the colour is never even
People sometimes ask if a darker patch is a flaw. It isn’t. It’s the most honest part of the piece.
Lighter than it looks
Most people expect to need a builder to hang it. Usually a nail is enough.
Erosion, slowly
Most of my forms start on walks by the sea in Gandía, looking at what water does to stone.
